Science Fiction, Part II

The Balrog, by Ted Nasmith

START:
January 12, 2015
DURATION:
12 Weeks
ID:
LITB 5302
CREDIT:
3

INSTRUCTORS:

Dr. Amy H. Sturgis
Dr. Amy H. Sturgis
Faculty: Literature and Language Lecturer
bio_JessicaObrien
Jessica O’Brien
Preceptor

What does it mean to be human? Are we alone? What wonders or terrors will tomorrow hold?

Join award-winning scholar Dr. Amy H. Sturgis as she explores the ways in which the literature of science fiction over time has asked the question: “What if?” This course will consider the development of the genre from the emergence of the New Wave in the 1960s to today, with an eye toward how the great works and movements within science fiction both reflect the concerns and attitudes of their time and imagine beyond them. Discover why author Ray Bradbury said that science fiction reflects “the history of our civilization birthing itself.”

Note:  While not required, familiarity with the themes from Science Fiction, Part I (Fall 2014) is strongly suggested.  Students who missed the Fall 2014 course are encouraged to purchase the Course Pack and will be given a 50% off code with enrollment in Science Fiction, Part II.  Buy one, get one half off!

Course Schedule

Week 1 – The New Wave

  • “‘Repent, Harlequin!’ Said the Ticktockman” by Harlan Ellison (1965)
  • “We Can Remember It For You Wholesale” by Philip K. Dick (1966)
  • “Aye, And Gomorrah…” by Samuel R. Delany (1967)

Week 2 – “Literary” Science Fiction?

The Left Hand of Darkness by Ursula K. Le Guin (1969)

Week 3 – Women of Wonder,Cons, and Textual Poachers

  • “When It Changed” by Joanna Russ (1972)
  • Houston, Houston, Do You Read? by James Tiptree, Jr. (1976)
  • “Speech Sounds” by Octavia Butler (1983)

Week 4 – The Rise of Cyberpunk

Neuromancer by William Gibson (1984)

Week 5 – Science Fiction Goes to War

Ender’s Game by Orson Scott Card (1986)

Week 6 – Steampunk and Space Opera

  • Lord Kelvin’s Machine by James P. Blaylock (the 1985 novelette version, not the 1992 novel)
  • The Mountains of Mourning by Lois McMaster Bujold (1989)

Week 7 – Television, Film, and the Question of Time

The Doomsday Book by Connie Willis (1992)

Week 8 – The Return of “Hard Science”

Red Mars by Kim Stanley Robinson (1994)

Week 9 – First Contacts, Past and Future

  • The Sparrow by Mary Doria Russell (1996)
  • “The Undiscovered” by William Sanders (1997)

Week 10 – Intertextuality, Transformations, and Reimaginings

  • A Study in Scarlet, Part 1 (1887), “The Final Problem” (1893), and “The Adventure of the Empty House” (1894) by Arthur Conan Doyle
  • “The Call of Cthulhu” by H.P. Lovecraft (1928)
  • A Study in Emerald by Neil Gaiman (2003)

Week 11 – The Maturity of Young Adult Science Fiction

Genesis by Bernard Beckett (2006)

Week 12 – The Future of the Genre

  • “Exhalation” by Ted Chaing (2008)
  • “Bridesicle” by Will McIntosh (2009)
  • “If You Were A Dinosaur, My Love” by Rachel Swirsky (2013)

Required Texts

Additional titles will be made available online.

Original illustration by Elia Fernández, all rights reserved.

Course History

This course has been offered in the following semesters.

Science Fiction, Part II Offerings
Semester Preceptor(s)
Spring 2015 Jessica O’Brien
Spring 2013 Jessica O’Brien
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