A Thesis Theatre by Libby Lyon
This thesis explores Chaucer’s perplexing conclusion to his Canterbury Tales, reflecting particularly on parallels between the Parson’s Prologue and Chaucer’s Retraction in order to discover ways these final elements influence the collection as a whole. Supported by critical scholarship, historical context, and a close reading of primary source material, the thesis argues that the Parson’s Tale and Retraction were neither accidentally included nor hastily appended to the CT; rather they are Chaucer’s meticulously designed conclusion to the Tales. Despite the penitential tone of Fragment X, what ultimately emerges from Chaucer’s final lines, through his signature techniques of purposeful irony and ambiguity, is a poetic challenge to 14th century ecclesial concerns over the perils of narrative fiction as Chaucer subtly champions the transformative potential of stories.
Elizabeth (Libby) Lyon hails in part from the wilds of northern Wisconsin, where she raised and homeschooled her brood of six alongside her late husband, Dr. John Lyon. She earned her BA in the Program of Liberal Studies at the University of Notre Dame. She has taught high school Biology, Algebra, and Composition at a classical academy, and served as a volunteer EMT with Bayfield Ambulance near the shores of Lake Superior. As a Masters degree student with Signum University, she has presented for Mythmoots X and XI, OzMoot, and Prancing Pony Podcast Moot on topics ranging from LotR to Huckleberry Finn to Sir Gawain and the Green Knight. Libby currently resides a stone’s throw from the Michigan state line, in northwestern Indiana. Besides taking Signum courses, her favorite pursuits are running, knitting, traveling, playing violin, and aggressively spoiling her grandchildren.
